For those of you interested in the topic/le sujet de “Reproduction de l’image: Quand l’imprimé crée de nouveaux contextes,” here is the recorded discussion with myself, Hélène Brousseau and Richard-Max Tremblay. Thanks to Victoria Carrasco and Daniel Fiset from Fondation Phi de l’art contemporaine for the invite!
News
A review of the exhibition Inside/Outside at Artexte
For those who missed the exhibition, a review by Claire Moder can be found in the Spring/Printemps 2019 issue of Vie des Arts.
Claire Moeder, “Karla McManus: Pour aborder differemment la photographie de paysage au Canada,” Vie Des Arts, Printemps 2019, 18-19.
The First Female Photographers Brought a New Vision to The New York Times – The New York Times
Shahidul Alam: A Singular Voice in Photography for Dignity and Human Rights – The New York Times
She Chronicled the Great Photographers of the 20th Century. Then, She Stopped Taking Portraits. – The New York Times
The Woman Who Shaped National Geographic
A Mexican-American Photographer’s Body, On Display and Invisible
In her series of self-portraits set in the New Mexican desert, Laura Aguilar is at once part of the American land, and the viewer’s eye, and apart from them.
Source: A Mexican-American Photographer’s Body, On Display and Invisible
Fault Lines – University of Manitoba Press
Life and Landscape in Saskatchewan’s Oil Economy, by Valerie Zink (Author), Emily Eaton (Author). Documenting a moment of transition.
Documentary Film – Call of the Forest
How Can Ecological Artists Move Beyond Aesthetic Gestures?
If art is to be relevant to the environment, it needs to move beyond an art context to engage with the land itself.
Source: How Can Ecological Artists Move Beyond Aesthetic Gestures?
Karla McManus 
You must be logged in to post a comment.