In her series of self-portraits set in the New Mexican desert, Laura Aguilar is at once part of the American land, and the viewer’s eye, and apart from them.

Source: A Mexican-American Photographer’s Body, On Display and Invisible

Life and Landscape in Saskatchewan’s Oil Economy, by Valerie Zink (Author), Emily Eaton (Author). Documenting a moment of transition.

Source: Fault Lines – University of Manitoba Press

 

Source: Synopsis & Trailer – Call of the Forest

If art is to be relevant to the environment, it needs to move beyond an art context to engage with the land itself.

Source: How Can Ecological Artists Move Beyond Aesthetic Gestures?

Pulitzer Prize-winning journalist Dan Fagin examines why some people don’t buy into climate change, what that means for media, and why U.S. reporters seem to love Canada’s prime minister.

Source: How do we tell stories about climate science that reach everyone? | National Observer