In her series of self-portraits set in the New Mexican desert, Laura Aguilar is at once part of the American land, and the viewer’s eye, and apart from them.
Source: A Mexican-American Photographer’s Body, On Display and Invisible
Life and Landscape in Saskatchewan’s Oil Economy, by Valerie Zink (Author), Emily Eaton (Author). Documenting a moment of transition.
Source: Fault Lines – University of Manitoba Press
If art is to be relevant to the environment, it needs to move beyond an art context to engage with the land itself.
Source: How Can Ecological Artists Move Beyond Aesthetic Gestures?