A special feature on the photobook curated by Serge Allaire
Artists and anthropologists, historians and geographers, literary scholars and biologists from around the world explore a series of objects that help to narrate a fragmentary history of the Anthropocene.
Photography Book Maker Yo Cuomo
Wildlife filmmaker John Aitchison has made his living watching predators stalk their prey. He joins The Current to talk about the beauty, brutality and inevitability of nature and shares what he’s learned watching for the perfect shot.
Extinction: A Radical History argues that the vanishing of species cannot be understood in isolation from a critique of our economic system. To achieve progress, we must transgress the boundaries between science, environmentalism and radical politics.
As major oil companies face continual public backlash, many have found it helpful to engage in “art washing”—donating large sums to cultural institutions to shore up their good name. But what effect does this influx of oil money have on these institutions? Artwash explores the relationship between funding and the production of the arts, with particular focus on the role of big oil companies such as Chevron, ExxonMobil, BP, and Shell. Reflecting on the role and function of art galleries, Artwash considers how the association with oil money might impede these institutions in their cultural endeavors. Outside the gallery space, Mel Evans examines how corporate sponsorship of the arts can obscure the strategies of corporate executives to maintain brand identity and promote their public image through cultural philanthropy. Ultimately, Evans sounds a note of hope, presenting ways artists themselves have challenged the ethics of contemporary art galleries and examining how cultural institutions might change.